Paradise Lost Icon

Album Review: Paradise Lost – “Icon”

Released on September 28th 1993, Paradise Lost fourth studio album “Icon” stands as a monumental milestone in the history of heavy music. It is the precise moment where the crushing weight of doom metal seamlessly fused with the melancholic elegance of gothic rock, practically inventing a new subgenre in the process.

Following the raw death-doom of Gothic and the transitional melodies of “Shades of God”. “Icon” saw the Halifax quintet shed their remaining death metal training wheels. Nick Holmes traded his guttural growls for a gritty, clean, yet remarkably commanding vocal delivery heavily influenced by James Hetfield. This vocal evolution gave anthems like “Embers Fire” and “True Belief” an accessible, world-weary emotional depth without sacrificing an ounce of aggression.

Musically, the album belongs to guitarist Gregor Mackintosh. His weeping, lead-guitar harmonies act as the emotional anchor of the record, weaving mournful, neoclassical melodies over a monolithic wall of rhythm guitar and Matthew Archer driving drums. Tracks like “Remembrance” and “Christendom” the latter featuring haunting female guest vocals perfectly balance somber, atmospheric dread with unforgettable hook-driven songwriting.

“Icon” is a masterclass in pacing and grim atmosphere. It proved that metal could be devastatingly heavy while remaining profoundly melodic and poetic. More than three decades after its release “Icon” remains a flawless blueprint for the entire gothic metal movement and an undisputed masterpiece in Paradise Lost legendary catalog.

Rating: 10/10

The Story and Legacy Behind Icon

1. Coining the Term “Gothic Metal”

While bands had played with dark atmospheres before, Paradise Lost was actually the first band to coin the explicit term “Gothic Metal”. Following the release of “Icon”, the band realized they were incorporating a high volume of elements from goth-rock legends like The Sisters of Mercy into their heavy framework. To avoid being pigeonholed into the death metal scene, they proudly slapped the new genre title on their music.

2. Aiming for a “Churchy” Atmosphere

When lead guitarist Gregor Mackintosh sat down to compose the music for “Icon”. His overarching artistic goal wasn’t just to write heavy riffs. Instead, he actively sought to make a “churchy”-sounding record that lived up to its religious-themed title. This design philosophy led directly to the album sluggish, epic tempos and neoclassical, weeping lead guitar melodies.

3. Fleeing “Shouting” to Save Nick Holmes’s Vocal Cords

Nick Holmes transition away from death metal gutturals to a cleaner, powerful grit was born out of a desire for musical evolution and raw physical survival. Holmes admitted that his previous style was essentially “shouting in key”. Realizing that he would completely ruin his vocal cords on extensive global tours if he kept singing like that. He deliberately fine-tuned a sustainable, melodic approach in the studio.

4. The Last Stand for Drummer Matthew Archer

“Icon” marked a bittersweet milestone for the band lineup, as it was the final studio album to feature original drummer Matthew Archer. Archer, who had been with the group since their raw 1988 demo days, left shortly after the album cycle, making this record the definitive final chapter of the band earliest era.

5. Heavily Backed by MTV Europe

Though American mainstream recognition largely evaded them due to music industry shifts at the time, MTV Europe absolutely fell in love with the record. The station put three distinct music video cuts from the album “Embers Fire”, “Widow” and “True Belief” into routine, heavy rotation. This massive push cemented them as a generation defining act across the European continent.

6. The “Icon 30” Complete Re-Recording

The band holds “Icon” in such high regard that for its 30th anniversary, they did something incredibly rare for a legacy metal act: they completely re-recorded the entire album from scratch. Released as Icon 30, the band entirely updated the production values and updated the cover art to a sharp close-up of Jesus wearing a crown of thorns, ensuring they owned the full rights to their masterpiece moving forward.

The Studio Lineup

The studio lineup for “Icon” features the historic, original quintet that launched the band out of Halifax, Yorkshire:

Key Guest Musician

Denise Bernard – Guest female vocals on the haunting track “Christendom”.

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